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The genre covers a wide range of television programming formats, from game show or quiz shows which resemble the frantic, often demeaning Japanese variety show shows produced in Japan in the 1980s and 1990s (such as ''Gaki no tsukai''), to surveillance- or voyeurism-focused productions such as ''Big Brother.''
Reality television frequently portrays a modified and highly influenced form of reality, at times utilizing sensationalism to attract audience viewers and increase advertising revenue profits. Participants are often placed in exotic locations or abnormal situations, and are often persuaded to act in specific scripted ways by off-screen "story editors" or "segment television producers", with the portrayal of events and speech manipulated and contrived to create an illusion of reality through direction and post-production editing techniques.
In the 1950s, game shows ''Beat the Clock'' and ''Truth or Consequences'' involved contestants in wacky competitions, stunts, and practical jokes. The Groucho Marx-hosted game show, You Bet Your Life, was primarily composed of Marx' prescripted comebacks to what was most often candid interviews of the contestants, although some 'contestants' were actors.
The radio series ''Nightwatch'' (1951–1955), which tape-recorded the daily activities of Culver City, California police officers, also helped pave the way for reality television. The series ''You Asked For It'' (1950–1959), in which viewer requests dictated content, was an antecedent of today's audience-participation reality TV elements, in which viewers cast votes to help determine the course of events.
In the 1966 Direct Cinema film ''Chelsea Girls'', Andy Warhol filmed various acquaintances with no direction given; the ''Radio Times Guide to Film 2007'' stated that the film was "to blame for reality television."
The first reality show in the modern sense may have been the 12-part 1973 PBS series ''An American Family'', which showed a nuclear family going through a divorce; unlike many later reality shows, it was more or less documentary in purpose and style. In 1974 a counterpart program, ''The Family'', was made in the UK, following the working class Wilkins family of Reading. Other forerunners of modern reality television were the 1970s productions of Chuck Barris: ''The Dating Game'', ''The Newlywed Game'', and ''The Gong Show'', all of which featured participants who were eager to sacrifice some of their privacy and dignity in a televised competition. ''One Man and His Dog'' was a British Television series which began in 1976 featuring the participants of sheepdog trials. In 1978, ''Living in the Past'' recreated life in an Iron Age English village.
The series ''Nummer 28'', which aired on Dutch television in 1991, originated the concept of putting strangers together in the same environment for an extended period of time and recording the drama that ensued. ''Nummer 28'' also pioneered many of the stylistic conventions that have since become standard in reality television shows, including a heavy use of soundtrack music and the interspersing of events on screen with after-the-fact "confessionals" recorded by cast members, that serve as narration. One year later, the same concept was used by MTV in their new series ''The Real World'' and ''Nummer 28'' creator Erik Latour has long claimed that ''The Real World'' was directly inspired by his show. However, the producers of ''The Real World'' have stated that their direct inspiration was ''An American Family''.
According to television commentator Charlie Brooker, this type of reality television was enabled by the advent of computer-based non-linear editing systems for video (such as those produced by Avid Technology) in 1989. These systems made it easy to quickly edit hours of video footage into a usable form, something that had been very difficult to do before. (Film, which was easy to edit, was too expensive to shoot enough hours of footage with on a regular basis).
The TV show ''Expedition Robinson'', created by TV producer Charlie Parsons, which first aired in 1997 in Sweden (and was later produced in a large number of other countries as ''Survivor''), added to the ''Nummer 28''/''Real World'' template the idea of competition and elimination, in which cast members/contestants battled against each other and were removed from the show until only one winner remained. (These shows are now sometimes called elimination shows).
''Changing Rooms'', a TV show that began in 1996, showed couples redecorating each others' houses, and was the first reality show with a self-improvement or makeover theme.
In particular, ''Survivor'' and ''American Idol'' have topped the US season-average television ratings on several occasions. ''Survivor'' led the ratings in 2001–02, and ''Idol'' has topped the ratings six consecutive years (2004–05 through to 2009–10). The shows ''Survivor'', the ''Idol'' series, ''The Amazing Race'', the ''America's Next Top Model'' series, the ''Dancing With The Stars'' series, ''The Apprentice,'' ''Fear Factor'' and ''Big Brother'' have all had a global effect, having each been successfully syndicated in dozens of countries.
Reality television lost its viewers' appeal after the September 11 terrorist attacks. Low ratings weighed heavily on reality shows such as ''The Amazing Race'', ''Lost'' (unrelated to the better-known serial drama of the same name) and ''The Mole''. B. J. Sigesmund of Newsweek provides three reasons for the low ratings. The first reason was selecting the right time slot for the shows. He said that “Lost” and “The Amazing Race” debuted September 5, 2001 but they went off the air for three weeks in the events of the terrorist attacks. The second reason was that there was an oversaturation of reality shows coming out in one season. September 5 saw the debut of shows like ''Big Brother'', ''Pop Stars'', ''Temptation Island'', ''Boot Camp'', ''Survivor'' and ''The Mole'' in the same night on different networks. The third reason was the issue of quality. He said that, “A great show like ''Survivor'' will always do great numbers. The good shows only do good numbers. And the bad ones fall by the wayside.”
Less than 12 new reality television shows debuted during the 2002 summer season. One of them was ''Houston Medical'', a reality shows that goes behind the scenes with four doctors. The difference between reality television and other genres is that there are no writers, no scripts or actors involved. Reality television involves unknown stars in front of the camera. One reality show that debuted during the 2002 summer television was NBC’s ''Dog Eat Dog'', a game show that combined the elements of ''Fear Factor'' and ''Weakest Link''. Reality television has given the networks the ability to find creative and diverse shows that have led them to serious dramas and continue into the next season. Peyser concluded that television will continue to try reality programs, no matter what the season.
There have been at least three television channels devoted exclusively to reality television: Fox Reality in the United States, launched in 2005, Global Reality Channel in Canada in 2010, and Zone Reality in the United Kingdom, launched in 2002. (The Canadian and British channels still exist; Fox Reality ended in mid-2010). In addition, several other cable channels, such as MTV and Bravo, feature original reality programming as a mainstay. Mike Darnell, head of reality TV for the US Fox network, was quoted as saying that the broadcast networks (NBC, CBS, ABC and Fox) "might as well plan three or four [reality shows] each season because we're going to have them, anyway."
During the early part of the 2000s, network executives expressed concern that reality-television programming was limited in its appeal for DVD reissue and syndication. Despite these concerns, DVDs for reality shows have sold briskly; ''Laguna Beach: The Real Orange County'', ''The Amazing Race'', ''Project Runway'', and ''America's Next Top Model'' have all ranked in the top DVDs sold on Amazon.com, and DVDs of ''The Simple Life'' have outranked scripted shows like ''The O.C.'' and ''Desperate Housewives''. Syndication, however, has indeed proven problematic; shows such as ''Fear Factor'', ''COPS'' and ''Wife Swap'' in which each episode is self-contained can indeed be rerun fairly easily, but usually only on cable television and/or during the daytime (''COPS'' and ''America's Funniest Home Videos'' being exceptions). Season-long competitions such as ''The Amazing Race'', ''Survivor'', and ''America's Next Top Model'' generally perform more poorly and usually must be rerun in marathons to draw the necessary viewers to make it worthwhile. Another option is to create documentaries around series including extended interviews with the participants and outtakes not seen in the original airings; the syndicated series ''American Idol Rewind'' and the pay-per-view ''Jerry Springer Too Hot for TV'' series are examples of using this strategy.
''COPS'' has had huge success in syndication, direct response sales and DVD. A FOX staple since 1989, ''COPS'' is, as of 2010, in its 23rd season, having outlasted all competing scripted police shows. Another series that has seen wide success is "Cheaters", which has been running for 10 seasons in the US and is syndicated in over 100 countries worldwide. In 2007, according to the Learning and Skills Council, one in seven UK teenagers hopes to gain fame by appearing on reality television.
In 2001, the Academy of Television Arts and Sciences added the reality genre to the Emmy Awards with the category of Outstanding Reality Program. In 2003, to better differentiate between competition and informational reality programs, a second category Outstanding Reality-Competition Program was added. In 2008, a third category, Outstanding Host for a Reality or Reality-Competition Program was added.
In 2010, the Tester became the first reality television show ever aired over a videogame console. The show entered its second season in the same year.
Within documentary-style reality television are several subcategories or variants:
;Special living environment: Some documentary-style programs place cast members, who in most cases previously did not know each other, in artificial living environments; ''The Real World'' is the originator of this style. In almost every other such show, cast members are given a specific challenge or obstacle to overcome. ''Road Rules'', which started in 1995 as a spin-off of ''The Real World'', started this pattern: the cast traveled across the country guided by clues and performing tasks.
:''Big Brother'' is probably the best known program of this type in the world with different versions produced in many countries around the globe. Another example of a show in this category ''The 1900 House'', involves historical re-enactment with cast members hired to live and work as people of a specific time and place. 2001's ''Temptation Island'' achieved some notoriety by placing several couples on an island surrounded by single people in order to test the couples' commitment to each other. ''U8TV: The Lofters'' combined the "special living environment" format with the "professional activity" format noted below; in addition to living together in a loft, each member of the show's cast was hired to host a television program for a Canadian cable channel.
;Celebrities: Another subset of fly-on-the-wall-style shows involves celebrities. Often these show a celebrity going about their everyday life: notable examples include ''The Anna Nicole Show'', ''The Osbournes'', ''Newlyweds: Nick and Jessica'' and ''Hogan Knows Best''. In other shows, celebrities are put on location and given a specific task or tasks; these include ''Celebrity Big Brother'', ''The Simple Life'', ''Tommy Lee Goes to College'', ''The Surreal Life'', and ''I'm a Celebrity... Get Me out of Here!''. VH1 has created an entire block of shows dedicated to celebrity reality, known as "Celebreality".
;Professional activities: Some documentary-style shows portray professionals either going about day-to-day business or performing an entire project over the course of a series. No outside experts are brought in (at least, none appear on screen) to either provide help or to judge results. The earliest example (and the longest running reality show of any genre) is ''COPS'' which has been airing since 1989, preceding by many years the current reality show phenomenon.
:Other examples of this type of reality show include the American shows ''Miami Ink'', ''The First 48'', ''Dog the Bounty Hunter'', ''American Chopper'' and '' Deadliest Catch''; the British shows ''Airport'', ''Police Stop!'' and ''Traffic Cops''; the Australian shows ''Border Security'' and ''Bondi Rescue'', and the New Zealand show ''Motorway Patrol''. The US cable networks TLC and A&E in particular show a number of this type of reality show.
:VH1's 2001 show ''Bands on the Run'' was a notable early hybrid, in that the show featured four unsigned bands touring and making music as a professional activity, but also pitted the bands against one another in game show fashion to see which band could make the most money.
Another sub-genre of reality TV is "reality competition" or so-called "reality game shows," which follow the format of non-tournament elimination contests. Typically, participants are filmed competing to win a prize, often while living together in a confined environment. In many cases, participants are removed until only one person or team remains, who/which is then declared the winner. Usually this is done by eliminating participants one at a time, in balloon debate style, through either disapproval voting or by voting for the most popular choice to win. Voting is done by the viewing audience, the show's own participants, a panel of judges, or some combination of the three.
A well-known example of a reality-competition show is the globally syndicated ''Big Brother'', in which cast members live together in the same house, with participants removed at regular intervals by either the viewing audience or, in the case of the American version, by the participants themselves.
There remains some disagreement over whether talent-search shows such as the ''Idol'' series, ''America's Got Talent'', ''Dancing with the Stars'', and ''Celebrity Duets'' are truly reality television, or just newer incarnations of shows such as ''Star Search''. Although the shows involve a traditional talent search, the shows follow the reality-competition conventions of removing one or more contestants per episode and allowing the public to vote on who is removed; the ''Idol'' series also require the contestants to live together during the run of the show (though their daily life is never shown onscreen). Additionally, there is a good deal of interaction shown between contestants and judges. As a result, such shows are often considered reality television, and the American Primetime Emmy Awards have nominated both ''American Idol'' and ''Dancing with the Stars'' for the Outstanding Reality-Competition Program Emmy.
Modern game shows like ''Weakest Link'', ''Greed'', ''Who Wants to Be a Millionaire?'', ''American Gladiators'', ''Dog Eat Dog'' and ''Deal or No Deal'' also lie in a gray area: like traditional game shows (e.g., ''The Price Is Right'', ''Jeopardy!''), the action takes place in an enclosed TV studio over a short period of time; however, they have higher production values, more dramatic background music, and higher stakes than traditional shows (done either through putting contestants into physical danger or offering large cash prizes). In addition, there is more interaction between contestants and hosts, and in some cases they feature reality-style contestant competition and/or elimination as well. These factors, as well as these shows' rise in global popularity at the same time as the arrival of the reality craze, lead many people to group them under the reality TV umbrella as well as the traditional game show one.
There are various hybrid reality-competition shows, like the worldwide-syndicated ''Star Academy'', which combines the ''Big Brother'' and ''Idol'' formats, ''The Biggest Loser'' and ''The Pick-up Artist'' which combine competition with the self-improvement format, and ''American Inventor'', which uses the ''Idol'' format for products instead of people. Some shows, such as ''Making the Band'' and ''Project Greenlight'', devote the first part of the season to selecting a winner, and the second part to showing that person or group of people working on a project.
Popular variants of the competition-based format include the following:
;Dating-based competition:Dating-based competition shows follow a contestant choosing one out of a group of suitors. Over the course of either a single episode or an entire season, suitors are eliminated until only the contestant and the final suitor remains. For a time, in 2001–2003, this type of reality show dominated the other genres on the major US networks. Shows that aired included ''The Bachelor'', its spin-off ''The Bachelorette'', as well as ''For Love or Money'', ''Paradise Hotel'', ''Temptation Island'', ''Average Joe'' and ''Farmer Wants a Wife'', among others. More recent such shows include ''Flavor of Love'' and its spin-offs ''I Love New York'', ''Rock of Love'', and ''The Cougar''. This is one of the older variants of the format; shows such as ''The Dating Game'' that date to the 1960s had similar premises (though each episode was self-contained, and not the serial format of more modern shows).
;Job search:In this category, the competition revolves around a skill that contestants were pre-screened for. Competitors perform a variety of tasks based on that skill, are judged, and are then kept or removed by a single expert or a panel of experts. The show is usually presented as a job search of some kind, in which the prize for the winner includes a contract to perform that kind of work. ''Popstars'', which debuted in 1999, may have been the first such show. The first job-search show which showed dramatic, unscripted situations may have been ''America's Next Top Model'', which premiered in May 2003. Other examples include ''The Apprentice'' (which judges business skills), ''Hell's Kitchen'' and ''Top Chef'' (for chefs), ''Shear Genius'' (for hair styling), ''Project Runway'' (for clothing design), ''Top Design'' (for interior design), ''Stylista'' (for fashion editors), ''Last Comic Standing'' (for comedians), ''The Starlet'' and ''Scream Queens'' (for actresses), ''I Know My Kid's a Star'' (for child performers), ''On the Lot'' (for filmmakers), ''The Shot'' (for photographers), ''So You Think You Can Dance'' (for dancers), ''MuchMusic VJ Search'' (for television hosts), ''Dream Job'' (for sportscasters), ''Face Off'' (for make-up artists), and ''The Tester'' (for game testers). Some shows use the same format with celebrities: in this case, there is no expectation that the winner will continue this line of work, and prize winnings often go to charity. Examples of celebrity competition programs include ''Deadline'', ''Celebracadabra'', and ''The Celebrity Apprentice''.
;Sports:Most of these programs create a sporting competition among athletes attempting to establish their name in that sport. ''The Club'', in 2002, was one of the first shows to immerse sport with reality TV, based on a fabricated club competing against real clubs in the sport of Australian rules football; the audience helped select which players played each week by voting for their favorites. Golf Channel's ''The Big Break'' is a reality show in which aspiring golfers compete against one another and are eliminated. ''The Contender'', a boxing show, unfortunately became the first American reality show in which a contestant committed suicide after being eliminated from the show. In ''The Ultimate Fighter'' participants have voluntarily withdrawn or expressed the desire to withdraw from the show due to competitive pressure.
:In sports shows, sometimes just appearing on the show, not necessarily winning, can get a contestant the job. The owner of UFC declared that the final match of the first season of ''Ultimate Fighter'' was so good, both contestants were offered a contract, and in addition, many non-winning "TUF Alumni" have prospered in the UFC. Many of the losers from World Wrestling Entertainment's ''Tough Enough'' and ''Diva Search'' shows have been picked up by the company.
:Not all sports programs, however, involve athletes trying to make a name in the sport. The 2006 US reality series ''Knight School'' focused on students at Texas Tech University vying for a walk-on (non-scholarship) roster position on the school's men's basketball team under legendary coach Bob Knight. In the Republic of Ireland, RTÉ One's ''Celebrity Bainisteoir'' involves eight non-sporting Irish celebrities becoming ''bainisteoiri'' (managers) of mid-level Gaelic football teams, leading their teams in an officially sanctioned tournament.
As with game shows, a gray area exists between such reality TV shows and more conventional formats. Some argue the key difference is the emphasis of the human story and conflicts of reality shows, versus the emphasis on process and information in more traditional format shows. The show ''This Old House'', which began in 1979, the start to finish renovation of different houses through a season; media critic Jeff Jarvis has speculated that it is "the original reality TV show."
Not all hidden camera shows use strictly staged situations. For example, the syndicated show ''Cheaters'', purports to use hidden cameras to record suspected cheating partners, although the authenticity of the show has been questioned. Once the evidence has been gathered, the accuser confronts the cheating partner with the assistance of the host.
Started by ''MTV's Fear'' in 2000, supernatural and paranormal reality shows place participants into frightening situations which ostensibly involve the paranormal. In series such as ''Celebrity Paranormal Project'', the stated aim is investigation, and some series like ''Scariest Places on Earth'' challenge participants to survive the investigation; whereas others such as ''Paranormal State'' and ''Ghost Hunters'' use a recurring crew of paranormal researchers. Shows such as ''Fear Factor'' and ''Scare Tactics'' dispense with supernatural overtones and aim solely at inciting fear or aversion in the cast. In general, the shows follow similar stylized patterns of night vision, surveillance, and hand held camera footage; odd angles; subtitles establishing place and time; desaturated imagery; rapid fire, MTV editing; and non-melodic soundtracks.
Noting the recent trend in reality shows that take the paranormal at face value, New York Times Culture editor Mike Hale characterized ghost hunting shows as "pure theater" and compared the genre to professional wrestling or soft core pornography for its formulaic, teasing approach.
The first such show was 2003's ''The Joe Schmo Show''. Other examples are ''My Big Fat Obnoxious Boss'' (modeled after ''The Apprentice''), ''My Big Fat Obnoxious Fiance'', ''Hell Date'' (modeled after ''Blind Date''), ''Superstar USA'' (modeled after ''American Idol''), ''Space Cadets'' (which convinced the hoax targets that they were being flown into space), ''Punk'd'' (involving celebrities in staged crises), ''Invasion Iowa'' (in which a town was convinced that William Shatner was filming a movie there), and ''Reality Hell'' (different target and premise every episode).
Other shows, though not hoax shows per se, have offered misleading information to some cast members in order to add a wrinkle to the competition. Examples include ''Boy Meets Boy'' and ''Joe Millionaire''.
In 2007, Abu Dhabi TV begain airing ''Million's Poet'', a show featuring ''Pop Idol''-style voting and elimination, but for the writing and oration of Arabic poetry. The show became popular in Arab countries, with around 18 million viewers, partly because, according to analysts such as University of Pennsylvania professor Marwan Kraidy, it was able to combine the excitement of reality television with a traditional, culturally relevant topic. In April 2010, however, the show also become a subject of political controversy, when Hissa Hilal, a 43-year-old female Saudi competitor, read out a poem criticizing her country's Muslim clerics. Hilal received the highest scores from the judges throughout the competition, and came in third place overall.
Television critic James Poniewozik wrote that reality shows like ''Deadliest Catch'' and ''Ice Road Truckers'' showcase working-class people of the kind that "used to be routine" on scripted network television, but that became a rarity in the 2000s: "The better to woo upscale viewers, TV has evicted its mechanics and dockworkers to collect higher rents from yuppies in coffeehouses."
The following is a list of television shows with the most instances of product placement (11/07–11/08; Nielsen Media Research). Eight out of the ten are reality television shows.
In docusoap programming, which follows people in their daily life, producers may be highly deliberate in their editing strategies, able to portray certain participants as heroes or villains, and may guide the drama through altered chronology and selective presentation of events. A Season 3 episode of ''Charlie Brooker's Screenwipe'' included a segment on the ways in which selective editing can be used to this end.
Daniel Petrie Jr., former president of the Writers Guild of America, west, an organization that represents 9,000 Hollywood film and television writers, stated: "We look at reality TV, which is billed as unscripted, and we know it is scripted. We understand that shows don't want to call the writers writers because they want to maintain the illusion that it is reality, that stuff just happens."
Some reality-television alumni take on the role of professional greeters at nightclubs, appear at automobile shows, and the like.
Reality TV contestants are sometimes derided as "Z-list celebrities" or "nonebrities" who have done nothing to warrant their newfound fame. The newspaper ''The Sun'' defined a "nonebrity" as "a pointless media figure who would love to rise up high enough to scrape on to the bottom end of the D-list."
Television critic James Poniewozik has disagreed with this assessment, writing, "for all the talk about 'humiliation TV,' what's striking about most reality shows is how good humored and resilient most of the participants are: the American Idol rejectees stubbornly convinced of their own talent, the Fear Factor players walking away from vats of insects like Olympic champions. What finally bothers their detractors is, perhaps, not that these people are humiliated but that they are not."
TLC has announced that ''Jon & Kate Plus 8'' will continue under the new title ''Kate Plus Eight''. Criticism has been raised regarding Kate's intentions of continuing with the show, as well as whether or not the children are being exploited or may be under emotional distress. According to lawyer Gloria Allred:
In the case of the show, the children's workplace is their home. Currently there are no clear laws in Pennsylvania (where the Gosselins reside) regarding a child's appearance on a reality show. However, Pennsylvania law permits kids who are at least seven years old to work in the entertainment industry, as long as certain guidelines are followed and a permit is obtained. For example, children may not work after 11:30 pm under most circumstances, or perform in any location that serves alcohol.
Kate defended her position that the children are happy and healthy, and not in any danger. In addition, Jon has stated that they are "in talks" regarding ensuring the children's happiness, and that there is no truth to any reports that the children have been hurt by the series. TLC released a statement saying that the network "fully complies with all applicable laws and regulations" to produce the show. The statement also said that "for an extended period of time, we have been engaged in cooperative discussions and supplied all requested information to the Pennsylvania Department of Labor and Industry".
The same article quoted psychologist Jamie Huysman as saying, "It is exploitation [...] Nobody wants to watch normal behavior. Kids have to be co-conspirators to get the camera to stay on."
Some feature films have been produced that use some of the conventions of reality television; such films are sometimes referred to as reality films, and sometimes simply as documentaries. Allen Funt's 1970 hidden camera movie ''What Do You Say to a Naked Lady?'' was based on his reality-television show ''Candid Camera''. The TV show ''Jackass'' spawned four films: ''Jackass: The Movie'' in 2001, ''Jackass: Number Two'' in 2006, ''Jackass 2.5'' in late 2007, and ''Jackass 3D'' in 2010. A similar show, ''Extreme Duudsonit'', was adapted for the film ''The Dudesons Movie'' in 2006. The producers of ''The Real World'' created ''The Real Cancun'' in 2003. ''Games People Play: New York'' was released in 2004.
The mumblecore film genre, which began in the mid-2000s, and uses video cameras and relies heavily on improvisation and non-professional actors, has been described as influenced in part by what one critic called "the spring-break psychodrama of MTV's ''The Real World''". Mumblecore director Joe Swanberg has said, "As annoying as reality TV is, it's been really good for filmmakers because it got mainstream audiences used to watching shaky camerawork and different kinds of situations."
Category:Article Feedback Pilot Category:Reality television series Category:Game shows Category:Television genres
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| playername | Lionel Messi |
|---|---|
| fullname | Lionel Andrés Messi |
| dateofbirth | June 24, 1987 |
| cityofbirth | Rosario |
| countryofbirth | Argentina |
| height | |
| position | Striker / Winger |
| currentclub | Barcelona |
| clubnumber | 10 |
| youthyears1 | 1995–2000 |
| youthyears2 | 2000–2004 |
| youthclubs1 | Newell's Old Boys |
| youthclubs2 | Barcelona |
| years1 | 2004–2005 |
| clubs1 | Barcelona B |
| caps1 | 22 |
| goals1 | 6 |
| years2 | 2004– |
| clubs2 | Barcelona |
| caps2 | 178 |
| goals2 | 121 |
| nationalyears1 | 2005 |
| nationalyears2 | 2008 |
| nationalyears3 | 2005– |
| nationalteam1 | Argentina U20 |
| nationalteam2 | Argentina U23 |
| nationalteam3 | Argentina |
| nationalcaps1 | 7 |
| nationalgoals1 | 6 |
| nationalcaps2 | 5 |
| nationalgoals2 | 2 |
| nationalcaps3 | 60 |
| nationalgoals3 | 17 |
| medaltemplates | }} |
Messi began playing football at a young age and his potential was quickly identified by Barcelona. He left Rosario-based Newell's Old Boys's youth team in 2000 and moved with his family to Europe, as Barcelona offered treatment for his growth hormone deficiency. Making his debut in the 2004–05 season, he broke his team record for the youngest footballer to score a league goal. Major honours soon followed as Barcelona won La Liga in Messi's debut season, and won a double of the league and Champions League in 2006. His breakthrough season was in the 2006–07 season; he became a first team regular, scoring a hat-trick in El Clásico and finishing with 14 goals in 26 league games. Messi then had the most successful season of his playing career, the 2008–09 season, in which he scored 38 goals to play an integral part in a treble-winning campaign. This record-breaking season was then eclipsed in the following 2009–10 campaign, where Messi scored 47 goals in all competitions, equalling Ronaldo's record total for Barcelona. He surpassed this record again in the 2010–11 season with 53 goals in all competitions.
Messi has won five La Liga titles, three Champions League titles, scoring in two of those finals, against Manchester United in both 2009 and 2011. He was not on the pitch as Barcelona defeated Arsenal in 2006, but received a winners' medal from the tournament. After scoring 12 goals in the 2010–11 Champions League, Messi became only the third player (after Gerd Müller and Jean-Pierre Papin) to top-score in three successive European Champion Clubs' Cup campaigns. However, Messi is the first one to win the Champions League top scorer titles for three consecutive years after Champions League changed its format in 1992.
Messi was the top scorer of the 2005 FIFA World Youth Championship with six goals, including two in the final game. Shortly thereafter, he became an established member of Argentina's senior international team. In 2006, he became the youngest Argentine to play in the FIFA World Cup and he won a runners-up medal at the Copa América tournament the following year. In 2008, in Beijing, he won his first international honour, an Olympic gold medal, with the Argentina Olympic football team.
On 16 September, for the second time in three months, Barcelona announced an update to Messi's contract; this time it was improved to pay him as a first team member and extended until June 2014. Messi obtained Spanish citizenship on 26 September 2005 and was finally able to make his debut in the season's Spanish First Division. Messi's first home outing in the Champions League came on 27 September against Italian club Udinese. Fans at Barcelona's stadium, the Camp Nou, gave Messi a standing ovation upon his substitution, as his composure on the ball and passing combinations with Ronaldinho had paid dividends for Barcelona.
Messi netted six goals in 17 league appearances, and scored one Champions League goal in six. His season ended prematurely on 7 March 2006, however, when he suffered a muscle tear in his right thigh during the second leg of the second round Champions League tie against Chelsea. Rijkaard's Barcelona ended the season as champions of Spain and Europe.
Messi was nominated for a FIFPro World XI Player Award under the category of Forward. A poll conducted in the online edition of the Spanish newspaper ''Marca'' had him as the best player in the world with 77 percent of the vote. Columnists from Barcelona-based newspapers ''El Mundo Deportivo'' and ''Sport'' stated that the Ballon d'Or should be given to Messi, a view supported by Franz Beckenbauer. Football personalities such as Francesco Totti have declared that they consider Messi to be one of the current best footballers in the world.
Messi was sidelined for six weeks following an injury on 4 March when he suffered a muscle tear in his left thigh during a Champions League match against Celtic. It was the fourth time in three seasons that Messi suffered this type of injury. After coming back from the injury Messi scored his last goal of 2007–08 season against Valencia on 4 May 2008 in a 6–0 win. When the season was over Messi managed to score 16 goals and assisted 13 times in all competition.
Messi scored his first hat-trick of 2009 in a Copa del Rey tie against Atlético Madrid which Barcelona won 3–1. Messi scored another important double on 1 February 2009, coming on as a second half substitute to help Barcelona defeat Racing Santander 1–2 after being 1–0 down. The second of the two strikes was Barcelona's 5000th league goal. In the 28th round of La Liga, Messi scored his 30th goal of the season in all competitions, helping his team to a 6–0 victory over Málaga CF in the process. On 8 April 2009, he scored twice against Bayern Munich in the Champions League, setting a personal record of eight goals in the competition. On 18 April, Messi notched his 20th league goal of the season in a 1–0 win at Getafe, allowing Barcelona to maintain their six-point advantage at the top of the league table over Real Madrid.
As Barcelona's season was drawing to a close, Messi scored twice (his 35th and 36th goals in all competitions) to cap a 6–2 win over Real Madrid at the Santiago Bernabéu in what was Real's heaviest defeat since 1930. After scoring each goal, he ran towards the fans and the cameras lifting up his Barcelona jersey and showing another T-shirt that read ''Síndrome X Fràgil'', Catalan for Fragile X Syndrome, to show his support for children who suffer from the affliction. Messi was involved in the build-up to Andrés Iniesta's injury time goal against Chelsea in the Champions League semi-final to send Barcelona through to face Manchester United in the final. He won his first Copa del Rey on 13 May, scoring one goal and assisting another two, in a 4–1 victory over Athletic Bilbao. He helped his team win the double by winning La Liga. On 27 May he helped Barcelona win the Champions League by scoring a second goal in the 70th minute giving Barcelona a two goal lead; he also became the top scorer in the Champions League, the youngest in the tournament's history, with nine goals. Messi also won the UEFA Club Forward of the Year: and the UEFA Club Footballer of the Year rounding off a spectacular year in Europe. This victory meant Barcelona had won the Copa del Rey, La Liga and Champions League in the one season, and was the first time a Spanish club had ever won the treble.
Messi was named winner of the 2009 Ballon d'Or on 1 December 2009, beating runner-up Cristiano Ronaldo by largest ever margin of 473 to 233. Afterwards, France Football magazine quoted Messi as saying: "I dedicate it to my family. They were always present when I needed them and sometimes felt even stronger emotions than me."
On 19 December, Messi scored the winner in the final of the 2009 Club World Cup against Estudiantes in Abu Dhabi, giving the club their sixth title of the year. Two days later, he was given the FIFA World Player of the Year award, beating Cristiano Ronaldo, Xavi, Kaká and Andrés Iniesta to the award. This was the first time he had won the award, and he became the first Argentinean to ever receive this honour. On 10 January 2010, Messi scored his first hat-trick in 2010 and his first hat-trick of the season against CD Tenerife in the 0–5 victory, and on 17 January he scored his 100th goal for the club in the 4–0 victory over Sevilla.
Messi then started an impressive run scoring 11 goals in five games. First he scored on the 84th minute against Málaga for a 2–1 win, then he scored two goals against UD Almería in a 2–2 tie. He continued his spree with an impressive week where he scored eight goals; he started by scoring a hat-trick against Valencia CF in a 3–0 home win, then he scored two goals against Stuttgart, in a 4–0 win that secured Barcelona's qualification to the quarterfinals of the Champions League, and finally he scored another hat-trick against Zaragoza in a 4–2 away win, becoming the first Barcelona player to score back-to-back hat-tricks in La Liga. He played his 200th official match for Barcelona against Osasuna on 24 March 2010.
On 6 April 2010, for the first time in Messi's career he scored four goals in a single match, netting the lot in a 4–1 home win over Arsenal in the Champions League quarter-final second leg. This also saw him overtake Rivaldo as Barcelona's all time greatest scorer in the competition. On 10 April, Messi scored his 40th goal of the season when he netted the first goal in a 2–0 away win against title-rivals Real Madrid in El Clásico. On 1 May, Messi played his 50th game of the season and scored two goals on a 4–1 away win against Villarreal. Just three days later, on 4 May, Messi scored two goals in another 4–1 win at home against Tenerife. Messi scored his 32nd goal of the La Liga season on 8 May, during an away win against Sevilla, and in the final match against Valladolid, he scored two goals in the second half to tie Ronaldo's club record of 34 goals in a single league season, set in 1996–97, and to finish four goals behind the all-time record held by Telmo Zarra. He was named La Liga player of the year for the second year in a row on 3 June 2010.
On 19 September 2010, Messi suffered an ankle injury due to an ill-advised tackle by Atlético Madrid defender Tomáš Ujfaluši in the 92nd minute of their Round 3 match at the Vicente Calderón Stadium. At first sight it was feared that Messi suffered a broken ankle that could have kept the star player away from the pitch for a minimum of six months, but MRI performed the next day in Barcelona showed he suffered a sprain in the internal and external ligaments of his right ankle. Team-mate David Villa stated "the tackle on Messi was brutal" after watching the video of the play and also added that he believed the Atlético defender "didn't go into the tackle to hurt". The incident caused widespread media attention and brought up the debate of equality in protecting all players in the game.
When Messi recovered he scored in a 1–1 tie against RCD Mallorca. He then scored another brace on the UEFA Champions League against København and helped the team to a 2–0 home win. He continued his impressive scoring run with braces against Zaragoza and Sevilla. After a prolific October, he started November scoring on an away 1–1 tie against København and an away 3–1 win against Getafe where he also assisted team-mates David Villa and Pedro Rodríguez. In the next fixture against Villarreal CF, he scored combining with Pedro, which gave Barcelona a 2–1 lead. He scored another goal and Barcelona won 3–1. This was the 7th consecutive match in which Messi scored, breaking his own previous record of 6. He also achieved the feat of scoring 50 goals in the calender year of 2010 with the 1st goal, while with the second goal, he achieved the same feat again, this time considering the goals he scored wearing a Barcelona shirt in 2010. Against Almería he scored his second hat-trick of the season in an impressive 8–0 away win, the second goal was his 100th La Liga goal. He scored on his ninth game in a row (10th including a friendly against Brazil) on a 3–0 away win against Panathinaikos. Messi's goalscoring run ended on 29 November at El Clásico but Barcelona still managed to win 5–0 with Messi assisting Villa twice. The next match day he scored a brace and gave an assist against Osasuna. He followed with another brace against Real Sociedad. In El Derbi, a match Barcelona won 1–5, he assisted teammates Pedro and Villa to score one goal each. His first goal in 2011 came against Deportivo La Coruña with a free kick on a 4–0 away win, where he once again assisted both Pedro and Villa.
Messi won the 2010 FIFA Ballon d'Or, beating his Barcelona teammates Xavi and Iniesta. Messi had been nominated for the awards for the fourth consecutive year. Only two days after he won the award he scored his first hat-trick of the year and third of the season against Real Betis. He began the second round of the league with a goal, scoring his second penalty against Racing Santander. After scoring the penalty kick, Messi revealed a message on his undershirt that said, "Happy birthday, mami.". He continued his goalscoring form with a brace against Almería in the Copa del Rey semifinal, and followed it up with another brace less than a week later against Hércules CF. On 5 February, Barcelona broke the record for most consecutive league wins with 16 victories after they defeated Atlético Madrid 3–0 at the Camp Nou. Lionel Messi scored a hat-trick to ensure the victory for his side and after the match he stated, "it's an honor to be able to pass a record set by a great like Di Stéfano" and "if the record has been around for so long is because it's very complicated to achieve and we have reached it by defeating a very difficult team who's going through a bad situation, which makes it even more difficult."
After two scoreless games he scored the winner against Athletic Bilbao in which Barcelona won 2–1. The next week he scored the first header of the season against Mallorca on a 3–0 away win. This victory was the equalising a La Liga record set by Basque club Real Sociedad in the 1979–80 campaign with a 19 unbeaten away matches. The record was broken after three days later when Messi scored the only goal on an away victory over Valencia. On 8 March, Messi scored two goals against Arsenal in a UEFA Champions League match at the Camp Nou, helping Barcelona win 3–1 and qualify to the quarter-finals of the competition. After failing to score for a month he scored a brace against Almería; the second goal was his 47th of the season, equalling his club record return of the previous season. He surpassed his record on 12 April 2011 by scoring the winner against Shakhtar Donetsk in a UEFA Champions League game, which put him in the record book as all time top scorer in a single season for Barcelona. He scored his eight goal on El Clásico on a 1–1 tie at the Santiago Bernabéu Stadium. On 23 April, Messi scored his 50th goal of the season against Osasuna in a 2–0 home victory which he came on as a substitute in the 60th minute.
In the first leg of the Champions League semi-finals he gave a memorable performance, scoring twice against Real Madrid in a 2–0 win, the second goal (a dribble past several players) being acclaimed as one of the best ever at that stage of the competition. At the Champions League Final at Wembley, Messi scored the eventual game-clinching goal to give Barcelona their third title in six years and fourth overall.
He made his full international debut on 17 August 2005 against Hungary at the age of 18. He was substituted on during the 63rd minute, but was sent off on the 65th minute because the referee, Markus Merk, found he had headbutted defender Vilmos Vanczák, who was tugging Messi's shirt. The decision was contentious and Maradona even claimed the decision was pre-meditated. Messi returned to the team on 3 September in Argentina's 1–0 World Cup qualifier away defeat to Paraguay. Ahead of the match he had said "This is a re-debut. The first one was a bit short." He then started his first game for Argentina against Peru; after the match Pekerman described Messi as "a jewel".
On 28 March 2009, in a World Cup Qualifier against Venezuela, Messi wore the number 10 jersey for the first time with Argentina. This match was the first official match for Diego Maradona as the Argentina manager. Argentina won the match 4–0 with Messi opening the scoring.
On 17 November 2010, Messi scored a last-minute goal against South American rivals Brazil after an individual effort to help his team to a 1–0 win in the friendly match, which was held in Doha. This was the first time that he had scored against Brazil at senior level. Messi scored another last-minute goal on 9 February 2011 against Portugal in a penalty kick which he give his side a 2–1 victory in the friendly match, which was held in Geneva, Switzerland.
His second game was against Colombia, in which he won a penalty that Crespo converted to tie the game at 1–1. He also played a part in Argentina's second goal as he was fouled outside the box, which allowed Juan Roman Riquelme to score from a freekick, and increase Argentina's lead to 3–1. The final score of the game was 4–2 in Argentina's favor and guaranteed them a spot in the tournament's quarterfinals.
In the third game, against Paraguay the coach rested Messi having already qualified for the quarter-finals. He came off the bench in place of Esteban Cambiasso in the 64th minute, with the score at 0–0. In the 79th minute, he assisted a goal for Javier Mascherano. In the quarter-finals, as Argentina faced Peru, Messi scored the second goal of the game, from a Riquelme pass in a 4–0 win. During the semi-final match against Mexico, Messi scored a lob over Oswaldo Sánchez to see Argentina through to the final with a 3–0 win. Argentina went on to lose 3–0 to Brazil in the final.
At the Round of 16 he assisted Carlos Tévez for the first goal in a 3–1 win against Mexico. The referee awarded that goal even though it was a clear offside. The World Cup ended for Argentina with a 4–0 loss against Germany in the quarter-finals.
Messi has two cousins also involved in football: Maxi, a winger for Club Olimpia of Paraguay, and Emanuel Biancucchi, who plays as a midfielder for Spain's Girona FC.
On 11 March 2010 Messi was announced as a goodwill ambassador for UNICEF. Messi’s UNICEF ambassador activities are aimed at supporting children’s rights. Messi is supported in this by FC Barcelona, who also have a strong association with UNICEF.
| Club | Season | !colspan="3" | !colspan="3" | !colspan="3" | !colspan="3" | UEFA Super Cup | !colspan="3" | Total | |||||||||||||||
| !Apps | !Goals | !Assists | !Apps | !Goals | !Assists | !Apps | !Goals | !Assists | !Apps | !Goals | !Assists | !Apps | !Goals | !Assists | !Apps | !Goals | !Assists | !Apps | !Goals | !Assists | |||
| rowspan="8" | Barcelona | 7 | 1| | 0 | 1 | 0 | 0 | 1 | 0 | 0 | — | — | — | 9 | 1 | 0 | |||||||
| 2005–06 FC Barcelona season | 2005–06 | 17 | 6| | 3 | 2 | 1 | 0 | 6 | 1 | 1 | 0 | 0 | 0 | — | — | 25 | 8 | 4 | |||||
| 2006–07 FC Barcelona season | 2006–07 | 26 | 14| | 2 | 2 | 2 | 1 | 5 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 36 | 17 | 3 | |
| 2007–08 FC Barcelona season | 2007–08 | 28 | 10| | 12 | 3 | 0 | 0 | 9 | 6 | 1 | — | — | — | 40 | 16 | 13 | |||||||
| 2008–09 FC Barcelona season | 2008–09 | 31 | 23| | 11 | 8 | 6 | 2 | 12 | 9 | 5 | — | — | — | 51 | 38 | 18 | |||||||
| 2009–10 FC Barcelona season | 2009–10 | 35 | 34| | 10 | 3 | 1 | 0 | 11 | 8 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 53 | 47 | 11 | |
| 2010–11 FC Barcelona season | 2010–11 | 33 | 31| | 18 | 7 | 7 | 3 | 13 | 12 | 3 | 2 | 3 | 0 | — | — | 55 | 53 | 24 | |||||
| 2011–12 FC Barcelona season | 2011–12 | 1 | 2| | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 6 | 4 | |
| Career total | !178!!121!!57!!26!!17!!6!!57!!37!!10!!7!!8!!2!!3!!1!!2!!2!!2!!0!!273!!186!!77 | ||||||||||||||||||||||
| !National team!!Year!!Apps!!Goals!!Assists | |||||
| rowspan=7 | '''Argentina | 2005 | 5| | 0 | 0 |
| 2006 | 8| | 2 | 2 | ||
| 2007 | 10| | 6 | 3 | ||
| 2008 | 9| | 2 | 1 | ||
| 2009 | 10| | 3 | 2 | ||
| 2010 | 10| | 2 | 2 | ||
| 2011 | 8| | 2 | 7 | ||
| Total!!60!!17!!17 |
| !Goal | !Date!!Venue!!Opponent!!Score!!Result!!Competition | |||||
| 1 | 14 June 2005| | De Grolsch Veste>Arke Stadion, Enschede, Netherlands | 1–0 | 2–0 | 2005 FIFA World Youth Championship>2005 World Youth Championship | |
| 2 | 22 June 2005| | Univé Stadion, Emmen, Netherlands>Emmen, Netherlands | 1–1 | 2–1 | 2005 World Youth Championship | |
| 3 | 24 June 2005| | Arke Stadion, Enschede, Netherlands | 3–1 | 3–1 | 2005 World Youth Championship | |
| 4 | 28 June 2005| | Stadion Galgenwaard>Galgenwaard Stadion, Utrecht, Netherlands | 1–0 | 2–1 | 2005 World Youth Championship | |
| 5 | 2 July 2005| | Galgenwaard Stadion, Utrecht, Netherlands | 1–0 | 2–1 | 2005 World Youth Championship | |
| 6 | 2 July 2005| | Galgenwaard Stadion, Utrecht, Netherlands | Nigeria | 2–1 | 2–1 | 2005 World Youth Championship |
| !Goal | !Date!!Venue!!Opponent!!Score!!Result!!Competition | |||||
| 1 | 7 August 2008| | Shanghai Stadium, Shanghai, China | 1–0 | 2–1 | Football at the 2008 Summer Olympics – Men's tournament>2008 Summer Olympics | |
| 2 | 16 August 2008| | Shanghai Stadium, Shanghai, China | 1–0 | 2–1 | 2008 Summer Olympics |
| !Goal | !Date!!Venue!!Opponent!!Score!!Result!!Competition | |||||
| 1 | 1 March 2006| | St. Jakob-Park, Basel, Switzerland | 2–1 | 2–3 | Exhibition game>Friendly | |
| 2 | 16 June 2006| | Veltins-Arena>WM-Stadion Gelsenkirchen, Gelsenkirchen, Germany | 6–0 | 6–0 | 2006 FIFA World Cup>2006 World Cup | |
| 3 | 5 June 2007| | Camp Nou, Barcelona, Spain | 2–2 | 4–3 | Friendly | |
| 4 | 5 June 2007| | Camp Nou, Barcelona, Spain | Algeria | 4–2 | 4–3 | Friendly |
| 5 | 8 July 2007| | Estadio Metropolitano de Fútbol de Lara>Metropolitano de Fútbol de Lara, Barquisimeto, Venezuela | 2–0 | 4–0 | 2007 Copa América | |
| 6 | 11 July 2007| | Polideportivo Cachamay, Puerto Ordaz, Venezuela | 2–0 | 3–0 | 2007 Copa América | |
| 7 | 16 October 2007| | Estadio José Pachencho Romero>José Pachencho Romero, Maracaibo, Venezuela | 2–0 | 2–0 | 2010 FIFA World Cup qualification (CONMEBOL)>2010 World Cup qualification | |
| 8 | 20 November 2007| | Estadio El Campín, Bogotá, Colombia | align=leftColombia || | 1–0 | 1–2 | 2010 World Cup qualification |
| 9 | 4 June 2008| | Qualcomm Stadium, San Diego, United States | Mexico | 2–0 | 4–1 | Friendly |
| 10 | 11 October 2008| | Estadio Antonio Vespucio Liberti>Estadio Monumental, Buenos Aires, Argentina | 1–0 | 2–1 | 2010 World Cup qualification | |
| 11 | 11 February 2009| | Stade Vélodrome, Marseille, France | 2–0 | 2–0 | Friendly | |
| 12 | 28 March 2009| | Estadio Monumental, Buenos Aires, Argentina | Venezuela | 1–0 | 4–0 | 2010 World Cup qualification |
| 13 | 14 November 2009| | Vicente Calderón Stadium, Madrid, Spain | 1–1 | 1–2 | Friendly | |
| 14 | 7 September 2010| | Estadio Monumental, Buenos Aires, Argentina | Spain | 1–0 | 4–1 | Friendly |
| 15 | 17 November 2010| | Khalifa International Stadium, Doha, Qatar | align=leftBrazil || | 1–0 | 1–0 | Friendly |
| 16 | 9 February 2011| | Stade de Genève, Geneva, Switzerland | align=leftPortugal || | 2–1 | 2–1 | Friendly |
| 17 | 20 June 2011| | Estadio Monumental, Buenos Aires, Argentina | align=leftAlbania || | 2–0 | 4–0 | Friendly |
Category:1987 births Category:Living people Category:People from Rosario, Santa Fe Category:Argentine people of Italian descent Category:Naturalised citizens of Spain Category:Argentine footballers Category:Association football forwards Category:La Liga footballers Category:FC Barcelona Atlètic footballers Category:FC Barcelona footballers Category:Pichichi Trophy winners Category:Argentina international footballers Category:2006 FIFA World Cup players Category:2007 Copa América players Category:2010 FIFA World Cup players Category:2011 Copa América players Category:Footballers at the 2008 Summer Olympics Category:Olympic footballers of Argentina Category:Olympic medalists in football Category:Olympic gold medalists for Argentina Category:UNICEF people Category:Argentine expatriate footballers Category:Expatriate footballers in Spain
ar:ليونيل ميسي ast:Lionel Andrés Messi az:Lionel Messi bn:লিওনেল মেসি be:Ліанель Месі be-x-old:Ліянэль Мэсі bs:Lionel Messi br:Lionel Messi bg:Лионел Меси ca:Lionel Andrés Messi cv:Месси Лионель cs:Lionel Messi da:Lionel Messi de:Lionel Messi et:Lionel Messi el:Λιονέλ Μέσι es:Lionel Messi eo:Lionel Messi eu:Lionel Messi fa:لیونل مسی fr:Lionel Messi ga:Lionel Messi gl:Lionel Messi ko:리오넬 메시 hy:Լիոնել Մեսսի hi:लियोनेल मेस्सी hr:Lionel Messi id:Lionel Messi is:Lionel Messi it:Lionel Messi he:ליאונל מסי jv:Lionel Messi kn:ಲಿಯೊನೆಲ್ ಮೆಸ್ಸಿ ka:ლიონელ მესი kk:Лионель Месси sw:Lionel Messi la:Leonillus Messi lv:Lionels Mesi lt:Lionel Messi hu:Lionel Messi mk:Лионел Меси ml:ലേണൽ മെസി mr:लायोनेल मेस्सी ms:Lionel Messi mn:Лионель Месси my:လီယွန်နယ် မက်ဆီ nah:Lionel Messi nl:Lionel Messi ne:लियोनेल मेस्सी ja:リオネル・メッシ no:Lionel Messi nn:Lionel Messi oc:Lionel Messi mhr:Месси, Лионель uz:Lionel Messi pl:Lionel Messi pt:Lionel Messi ro:Lionel Messi ru:Месси, Лионель sq:Lionel Messi scn:Lionel Messi simple:Lionel Messi sk:Lionel Messi sl:Lionel Messi szl:Lionel Messi ckb:لیۆنێل مێسی sr:Лионел Меси sh:Lionel Messi fi:Lionel Messi sv:Lionel Messi ta:லியோனல் மெஸ்ஸி th:เลียวเนล เมสซี tr:Lionel Messi uk:Ліонель Мессі vi:Lionel Messi zh-yue:美斯 zh:利昂内尔·梅西This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| name | The Brand New Heavies |
|---|---|
| background | group_or_band |
| origin | Ealing, London, England |
| genre | Acid jazz, funk, jazz rap |
| years active | 1985–present |
| label | Acid Jazz, Delicious Vinyl, FFRR, Chrysalis UK, EDEL |
| associated acts | N'Dea Davenport |
| website | TheBrandNewHeavies.net |
| current members | Jan Kincaid Simon Bartholomew Andrew Levy N'Dea Davenport |
| past members | Siedah Garrett Carleen Anderson Nicole Russo Sy SmithJay Ella Ruth Ceri Evans |
| notable instruments | }} |
The Brand New Heavies are an acid jazz and funk group formed in 1985 in Ealing, a suburb of London, England.
The group came up with the Heavies name after signing their first record contract, borrowing from a liner note on a James Brown single declaring the artist "Minister of New Super Heavy Funk". As The Brand New Heavies they gained a cult following in the London club scene and soon signed to Cooltempo as acid jazz replaced rare groove in clubs. The band issued a debut recording for Eddie Piller's Acid Jazz label in 1990 with Jay Ella Ruth as lead singer.
A single, "Got to Give", came out on Cooltempo before the Brand New Heavies signed to Acid Jazz Records and released ''Brand New Heavies'' to critical acclaim. The band signed to a division of Chrysalis Records in the UK, and American distribution was picked up by influential label Delicious Vinyl, and N'Dea Davenport (who had signed an artist development deal with Delicious Vinyl) joined the group. A revamped version of the first album with vocals by N'Dea Davenport was then released, and the singles "Dream Come True", "Never Stop" and "Stay This Way", all with Davenport on lead vocals, became hits on both sides of the Atlantic, with the latter becoming a music video directed by Douglas Gayeton that saw heavy rotation on MTV.
The group's appearance with MC Serch (formerly of 3rd Bass) and Q-Tip (of A Tribe Called Quest) at a performance in New York City, inspired the group to incorporate elements of hip hop music. Their next album was the critically acclaimed ''Heavy Rhyme Experience, Vol. 1'', which included collaborations with Guru of Gang Starr and The Pharcyde, among others, but lacked any female vocals.
While under management by Colin Lester's and Ian McAndrew's Wildlife Entertainment, The Brand New Heavies released ''Brother Sister'' (1994) which was the last album for a while with N'Dea Davenport, who had left to complete her solo album (which she had put on hold to join the Heavies). The album spawned more singles, though one of them, a cover of Maria Muldaur's "Midnight at the Oasis", was popular only in the UK because it was not included in the US version of the album.
Siedah Garrett joined the group for their next album, ''Shelter'' (1997). It contained the minor hit, the Carole King-penned song "You've Got a Friend" that was originally made famous by James Taylor. Again, though, this song did not appear on the US version of the album. The album also contained the hit "Sometimes". The remix of "Sometimes" included the rap vocals of Q-Tip.
The Brand New Heavies then released their greatest hits album, ''Trunk Funk - The Best of The Brand New Heavies'' (2000) with Carleen Anderson on vocals for some newly recorded songs, followed by the Japan only album ''We Won't Stop'' (2003) featuring a variety of vocalists and ''Allaboutthefunk'' (2004) featuring British singer Nicole Russo on vocals.
In April 2006, the Brand New Heavies reunited with N'Dea Davenport and former label Delicious Vinyl. A new album, ''Get Used to It'' was released on 27 June 2006 via Starbucks and more traditional music retail outlets. The album was recorded in New York and London; and the lead single "I Don't Know Why (I Love You)" was issued in early May. The single was notable for being one of very few late releases to feature the trademarked A Tom Moulton Mix, as he had been asked to contribute remixes. Later that year, their song "Jump 'N' Move" was featured on the soundtrack for the 2006 computer animated feature film, ''Happy Feet'', and the in-game soundtrack for 2004's ''NBA Live 2005'' and 2009's ''NBA 2k10''. The band toured at the end of 2006.
The Brand New Heavies released a live album in October 2009 - ''Live In London'' - and announced plans to record two new studio albums in 2010-2011. The first likely to be released is "Heavy Rhyme Experience Vol. 2", which would be a follow-up to 1992's "Heavy Rhyme Experience Vol. 1". Dizzee Rascal and Roots Manuva are rumoured to be contributing to this project. The second new studio album is to be the true follow-up to 2006's "Get Used To It", with N'dea Davenport once again on vocals. No release date for either album has been mentioned by the band or its record label.
| ! Band Member | ! Instrument | ! Dates |
| Jan Kincaid (born 17 May 1966 in Ealing) | drums, keyboards | 1985— |
| Simon Bartholomew (born 16 October 1965 in Ealing) | guitar, vocals | 1985— |
| bass, keyboards, writer, producer | 1985— | |
| Lascelles Gordon | percussion, guitar | debut album (1991) |
| Jim Wellman | tenor sax, soprano sax, keyboards | debut album (1991) |
| N'Dea Davenport (born 6 May 1966 in Atlanta, Georgia, USA) | vocals | 1990–1995, 2005— |
| keyboards | 1985–1992 | |
| Jay Ella Ruth | vocals | 1990 |
| Siedah Garrett (born 24 June 1960 in Los Angeles, California, USA) | vocals | 1997 |
| Carleen Anderson | vocals | 2000 |
| Nicole Russo | vocals | 2004 |
| Sy Smith | vocals | 2003 |
| Max Beesley (born 15 January 1971) | live percussion, live keyboards | |
Category:Musical groups established in 1985 Category:English dance music groups Category:Musical groups from London Category:Delicious Vinyl artists Category:Acid jazz ensembles
ca:The Brand New Heavies da:The Brand New Heavies de:Brand New Heavies es:The Brand New Heavies fr:Brand New Heavies it:Brand New Heavies nl:The Brand New Heavies ja:ブラン・ニュー・ヘヴィーズ no:Brand New Heavies pl:The Brand New Heavies pt:Brand New Heavies sv:The Brand New Heavies th:เดอะแบรนด์นิวเฮฟวีส์This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| name | Owl City |
|---|---|
| landscape | Yes |
| background | group_or_band |
| alias | Adam Young |
| genre | Electronica, Synthpop |
| origin | Owatonna, Minnesota, United States |
| years active | 2007–present |
| label | Universal Republic |
| associated acts | Sky Sailing, Swimming With Dolphins, Matt Thiessen, Lights, Breanne Düren |
| website | |
| current members | Adam Young }} |
Owl City is an American electronica musical project by singer-songwriter and multi-instrumentalist Adam Young formed in 2007 in Owatonna, Minnesota. Young created the project while experimenting with music in his parents' basement. Like many musicians who achieved success in the late 2000s, Owl City developed a following on the social networking site Myspace before signing with Universal Republic in 2008.
After two independent releases, Owl City gained mainstream popularity with the 2009 major label debut album ''Ocean Eyes'', which spawned the quadruple-platinum hit single "Fireflies". The album was certified Platinum in the United States in April 2010.
In 2011, Owl City released his third studio album, ''All Things Bright and Beautiful''.
The viral phenomenon that was building through Myspace caught the attention of Universal Republic presidents Avery and Monte Lipman who approached Young with a view to signing the artist. Republic recommended Young partner up with 27-year-old manager Steve Bursky of Foundations Artist Management and the two began working together in late 2008. When later asked by HitQuarters why the label chose him for a major label act given his relative inexperience, Burksy said:
"I think they saw Owl City as representing the future of our business. This idea of a kid in a tiny town in rural U.S. being able to make songs in his basement that sound like Top 40 radio could never have happened ten years ago. By hiring a young management company who understands the business circa 2011 over a seasoned industry vet, who might not understand the online spaces well, showed a lot of understanding of where this kid was going to end up having success."
Owl City's label deal with Universal Republic was finally confirmed in February 2009. According to Bursky there was initially some disagreement about the direction Owl City should follow, telling HitQuarters: "They were ready to send him into the studio with big producers and polish him up to try to become this thing that he wasn't. But we put our foot down and said, 'Look, the reason you signed this kid is because it’s working. Whatever it is about him - his music, his interaction with his fans, his brilliance in the online space - these things are connecting with people, and as soon as you change that you lose what’s special about this artist.' To their credit, they really listened and they got it."
Young is joined by Breanne Düren on several tracks; the most noted being "The Saltwater Room". Owl City's live band consists of Breanne Düren (background vocals/keyboards), Casey Brown (drums), Laura Musten (violin), Hannah Schroeder (cello), and Daniel Jorgensen (vibes).
Relient K vocalist Matt Thiessen has toured and collaborated with Owl City on several tracks, including "Fireflies", where Matt can be heard providing the backup vocals. Young also produced Relient K's song "Terminals".
"Fireflies" was released as a free download on the game ''Tap Tap Revenge 3'' by Tapulous. Prior to the July 14, 2009 internet release of ''Ocean Eyes'', and the "Fireflies" single, Steve Hoover was hired as a director for a music video for "Fireflies". The video was to have had an exclusive premiere on MySpace, but had been leaked onto YouTube and Dailymotion hours earlier. "Fireflies" became a big sleeper hit, topping the Billboard Hot 100 in the United States for the week ending November 7, 2009.
Owl City is featured on ''Soundtrack 90210'' with a song titled "Sunburn", which was released on October 13, 2009. Owl City has toured with The Scene Aesthetic, Lights, John Mayer, Maroon 5 and Brooke Waggoner. He was also guest featured in the soundtrack to Tim Burton's ''Alice in Wonderland'' with a song entitled "The Technicolor Phase" that had already been featured in his debut album.
In 2010, Young revealed a new musical project known as Sky Sailing, which moved away from his usual electronica genre of music and introduced acoustic guitar and piano accompaniments into his work. The unrefined tracks were recorded in the summer of 2007 before he began making music as Owl City. His first album under this new project is entitled ''An Airplane Carried Me to Bed'', and was released July 13, 2010 via iTunes.
In May 2010, Adam Young collaborated with high-profile British electronic composer, producer, musician, and songwriter Nick Bracegirdle. Under his Chicane alias, Bracegirdle released the single "Middledistancerunner" on August 1, 2010 featuring Adam Young on vocals. This is the first single from the fourth Chicane album ''Giants''. He also worked with famed Dutch producer Armin van Buuren, appearing on a track called 'Youtopia' from the van Buuren album ''Mirage'' on September 10, 2010.
On September 21, 2010 "To the Sky" was officially released via iTunes on the soundtrack for Legend of the Guardians: The Owls of Ga'hoole.
On October 25, 2010, Young released a cover version of the praise and worship song "In Christ Alone" as a streaming mp3 on his website,
On November 13, 2010, a new album was also released for one of his other musical projects, "Windsor Airlift", called "Flight" on iTunes.
On November 23, 2010, a new Christmas single called "Peppermint Winter" was released. A preview had been released the previous week on Facebook.
On October 18, 2010 Young wrote an entry on his blog regarding his third studio album, saying that the album was nearing completion.
In February 2011, the title of the album was announced to be ''All Things Bright and Beautiful'' and that the album would be released on May 17. However, on April 6, Young released a statement on his website, along with lengthy previews of four of his songs (Dreams Don't Turn to Dust, Alligator Sky Featuring Shawn Chrystopher, Galaxies, and Deer in the Headlights), that the release date for ''All Things Bright and Beautiful'' would be pushed back to June 14.
On March 22, Alligator Sky was released as the lead single from the album on ''iTunes''.
In Late March and Early April, tickets went on sale for The All Things Bright and Beautiful World Tour, and All Things Bright and Beautiful became available for preorder.
On April 19, Galaxies was released as the second single from the album.
On May 6, the music video for Alligator Sky was released. Young discussed the concept in a making-of video posted on Owl City's VEVO account, "The concept is basically about these two guys who are leaving Earth. Rather than it being this very dark post-apocalyptic vibe, it's very optimistic, and so it's like people are excited to leave earth."
On May 23, Deer in the Headlights, the third single from the album, was released on iTunes.
On June 14, All Things Bright and Beautiful was released on iTunes. Although only a few days prior on May 20, almost all of the album leaked onto the internet.
On June 30, the music video for 'Deer in the Headlights' was released. It features Young driving through the night in the DMC DeLorean featured in the Back to the Future trilogy and Canadian musician Lights makes a cameo appearance in the video.
On July 19, "Lonely Lullaby" was released as a single on iTunes, which was previously available only to Owl City Galaxy members.
Young was interviewed in the August issue of Cliché Magazine. He also appeared on the cover of the magazine and the issue also featured some of Young's very own art work.
On July 21, at the Club Nokia concert in Los Angeles, Young announced that the concert was being filming for a Live DVD to be released by the holiday season.
On November 28, the music video for "Youtopia", by Armin van Buuren Featuring Adam Young, was released on YouTube.
On January 2, 2012, Young wrote an entry on his blog regarding his fourth studio album. Young said that he would be collaborating with more producers and songwriters, also saying that his new record "Marks a flying leap in this direction". Young expects the album to be released around late Summer to Fall 2012.
Owl City also has been compared to The Postal Service, often critically, for his combination of fuzzy synths, ironic lyrics and use of female guest singers. Pitchfork.com goes far enough to say that "The surprise No. 1 single in the country, Owl City's 'Fireflies,' jacks the Postal Service in such a bald-faced, obvious manner that getting into specifics feels redundant at best and tacky at worst." In response to the suggestion that his work is derivative, Adam Young suggested in a 2009 interview with The New York Times that ''Ocean Eyes'' is perhaps the "next chapter" after American band The Postal Service: "The Postal Service released a record in 2003, and that was it. There was really nothing to compare it to until some one else came along and wrote the next chapter. Maybe that's this record. Maybe that's this band."
Young was featured on the track "All About Us" by He Is We released on August 29, 2011, on iTunes. He was also featured on the track "First Noel" on TobyMac's album ''Christmas in Diverse City'' released October 4, 2011.
Category:Musical groups from Minnesota Category:American indie rock groups Category:American New Wave musical groups Category:Electronic music groups from Minnesota
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